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Supari(2003)
Hindi143 mins
Supari (2003) is a 143-minute Hindi film directed by Padam Kumar. Starring Irrfan Khan, Purab Kohli and Nauheed Cyrusi. With an audience rating of 4.9/10, Supari stands as one of the notable Hindi releases of 2003.
Director:Padam Kumar
Mood:
darksuspensefulemotional
Where to watch:
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Quick Facts
- Theatrical Release
- 1 January 2003
- Director
- Padam Kumar
- Language
- Hindi
- Runtime
- 2h 23m
- GudVibe Rating
- 4.9/10
Storyline
Four friends owe a large debt to a dangerous woman involved in crime. To pay her back, they are forced to become contract killers. They soon discover that in this deadly business, they are also targets themselves.
“Hunted by the debt they can't escape.”
Film Details
4.9Rating
143Minutes
HindiLanguage
ACertificate
Release Date1 January 2003
Release Typetheatrical
Also Known AsSupari - Your Time Starts Now
Parental Guide
Violence
Moderate
Language
Moderate
Sex / Nudity
Moderate
Drugs
Mild
Intensity
Moderate
Vibe & Tags
Mood
darksuspensefulemotional
Themes
survivalcorruptionfriendshipjustice
Tonegritty
Pacingfast-paced
Complexitymoderate
Audiencemultiplex
Best Withfriends
Violence4
Emotion4
Humor2
Rewatchability3
Reviews & Ratings
Your Rating
4.9/10Rating
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Cast & Crew
Photos Gallery
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Trivia
- The film's title 'Supari' refers to a slang term for a contract killing in Mumbai's underworld.
- Director Padam Kumar was also a cinematographer and shot several films before making his directorial debut with this movie.
- The film was shot on a low budget and had a limited theatrical release, making it a lesser-known title from the early 2000s.
- Actress Mamta Kulkarni, who plays the antagonist Mamta Sekhri, was known for her glamorous roles but took on a rare negative character here.
- The movie's plot reflects real-life concerns about youth getting involved in crime due to debt, a theme seen in some other Indian films of that era.
- It features actor Ashutosh Rana in a supporting role, known for his villainous performances in Bollywood during that period.
- The film did not perform well commercially and is rarely discussed in mainstream retrospectives of Hindi cinema from the 2000s.
