Sindhu P

Sindhu P writes about Hindi cinema with an emphasis on the independent and mid-budget wave that emerged in the 2010s — the Anurag Kashyap films, the Dibakar Banerjee cycle, the Mumbai noir strand that ran from Dev.D through Sacred Games. She is equally interested in mainstream Bollywood as a cultural industry: how it prices sentiment, how it handles language and regionality, and how the OTT shift has reshuffled which stories get told and who finances them. Her background is in cultural criticism and she approaches film economics as inseparable from the stories films choose to tell.

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