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Satah Se Uthata Aadmi(1980)

7.5/10
Hindi114 minstheatrical

Satah Se Uthata Aadmi (Arising from the Surface) is a 1980 Indian Hindi-language art film directed by Mani Kaul. It stars Bharat Gopy, M.K. Raina, and Vibhuti Jha. The film follows Ramesh, a middle-aged office clerk living a repetitive, lonely life in a noisy city. It blends poetry, voiceover, and symbolic imagery to depict his inner struggle between idealism and social compromise. The film is based on the writings of Hindi poet Gajanan Madhav Muktibodh. It was screened in the Un Certain Regard section at the 1981 Cannes Film Festival. The film is known for its experimental narrative, slow pace, and use of Dhrupad music by Ustad Zia Fariduddin Dagar. It remains a significant but obscure work of Indian parallel cinema.

Director:Mani Kaul
Mood:
darkemotionaldisturbing
Where to watch:

Quick Facts

Streaming on
YouTube
Theatrical Release
17 February 1980
Director
Mani Kaul
Language
Hindi
Runtime
1h 54m
Rating
7.5/10

Storyline

Ramesh is a quiet office clerk trapped in a boring routine. He dreams of being a poet but is too afraid to speak. The noise of the city and the weight of his job crush his spirit. He must find a way to express his true self before he disappears completely.

Rise from the surface.

Film Details

7.5Rating
114Minutes
HindiLanguage
Release Date17 February 1980
Release Typetheatrical
Also Known Asਸਤਹ ਸੇ ਉਠਤਾ ਆਦਮੀ · Arising from the Surface

Parental Guide

Violence
Low
Language
Low
Sex / Nudity
Mild
Drugs
Mild
Intensity
Low

Where to Watch

Vibe & Tags

Mood
darkemotionaldisturbing
Themes
identitysurvivalcorruption
Tonepoetic
Pacingslow-burn
Complexityrequires-attention
Audiencearthouse
Best Withalone
Violence2
Emotion4
Humor1
Rewatchability3

Cast & Crew

Trivia

  • The film was based on the works of Hindi writer Gajanan Madhav Muktibodh, whose poetry and essays are heard in the voice-overs.
  • It was shot on a very low budget, using non-professional actors and real locations across rural India.
  • The film's experimental style led to it being screened more at film festivals than in commercial theaters in India.
  • Mani Kaul avoided traditional storytelling, focusing instead on creating a visual and auditory experience for the viewer.
  • It is considered a landmark in Indian parallel cinema for its radical departure from mainstream film techniques.
  • The title translates to 'A Man Rising from the Surface,' reflecting its themes of existential and social awakening.

Frequently Asked Questions