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Cyprus Dastoor

Cyprus Dastoor is an Indian actor, best known for Tamil cinema. Cyprus Dastoor began their career in 1988. With 30 credits to their name, Cyprus Dastoor remains one of the most prolific and celebrated talents in the industry. An emerging voice in Tamil cinema, Cyprus Dastoor is already attracting significant attention for their distinctive work.

30+Known Credits
4.1Avg Rating
emergingCareer Phase

Career Milestones

1988

Film debut

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1988

Highest rated: Pestonjee (7.5)

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The Numbers

Cyprus Dastoor by the Numbers

Total Films0
Back-to-back Watch0 hours~estimate
Hit Ratio0%
Versatility0/10

If you watched every Cyprus Dastoor film back-to-back, you'd be at it for roughly 2 hours.

Career Analytics

Language Distribution

Hindi
100%

Films by Decade

1
1980s

Legacy & Influence

Cyprus Dastoor is a supporting actor in Indian cinema whose career is primarily associated with the 1988 Parsi-themed film 'Pestonjee,' directed by Vijaya Mehta. The film, an adaptation of a play, is a significant work in Indian parallel cinema, exploring Parsi community life and familial relationships with nuance and humor. Dastoor's specific role in the film, while not widely documented in detail, contributes to the ensemble cast that brought this culturally specific narrative to a broader audience. His participation in 'Pestonjee' places him within a niche but important segment of Indian film that focused on regional and community stories during the late 1980s. Beyond this notable credit, there is no widely available public record detailing other significant film roles, a sustained career trajectory, or major industry awards. Consequently, his direct impact on the broader landscape of Indian cinema is limited and defined almost exclusively by this single, albeit culturally resonant, film. His legacy is therefore intrinsically tied to the legacy of 'Pestonjee' itself—a film remembered for its authentic portrayal of Parsi life and its contribution to non-mainstream Indian storytelling. Without further verified filmography or public artistic endeavors, assessing a broader individual contribution or influence is not possible.

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