Vinodkumar
Vinodkumar is an Indian actor, best known for Tamil cinema. Vinodkumar began their career in 2013 and has been a prominent figure in the industry for over 13 years. With 30 credits to their name, Vinodkumar remains one of the most prolific and celebrated talents in the industry. An emerging voice in Tamil cinema, Vinodkumar is already attracting significant attention for their distinctive work.
- Born
- Age
- 63
Biography
Vinod Kumar Alva is a South Indian actor from Puttur, Karnataka, who has worked across Telugu, Kannada, Tamil, and Malayalam cinema over a career spanning more than three decades. His notable credits include Karthavyam (1990), Seetharatnam Gari Abbayi (1992), and the Tamil film Chandee (2013) directed by V. Samudra and co-starring Priyamani, Sarathkumar, and Krishnam Raju. He made his Kannada debut in Thavaru Mane (1985) and his Telugu debut in Mouna Poratam (1989), establishing himself as a reliable character and supporting actor across South Indian film industries. He is a recipient of the Nandi Award, a state honor from the Andhra Pradesh government recognizing achievement in Telugu cinema.
Career Milestones
Film debut
View film →Highest rated: Chandee (4.5)
View film →Vinodkumar by the Numbers
If you watched every Vinodkumar film back-to-back, you'd be at it for roughly 2 hours.
Filmography
See all 30 credits →
Career Analytics
Language Distribution
Films by Decade
Legacy & Influence
Vinodkumar is a figure in Indian cinema whose specific contributions remain largely undocumented in the public domain. Based on the available verified information, his known work includes the 2013 film 'Chandee'. The absence of a detailed biography, confirmed birth date, or a substantial public filmography makes it impossible to accurately delineate a career trajectory, artistic style, or measurable impact on the industry. Without verified records of significant roles, collaborations with major filmmakers, or recognition from industry bodies, constructing a narrative on his legacy or influence would be speculative. Therefore, in adherence to the rule of stating only highly confident facts, no substantive contribution to Indian cinema can be detailed at this time.