Reyhna Malhotra
Reyhna Malhotra is an Indian actor, best known for Tamil cinema. Reyhna Malhotra began their career in 2014 and has been a prominent figure in the industry for over 12 years. With 30 credits to their name, Reyhna Malhotra remains one of the most prolific and celebrated talents in the industry. An emerging voice in Tamil cinema, Reyhna Malhotra is already attracting significant attention for their distinctive work.
- Born
- Age
- 43
Biography
Reyhna Malhotra (born Priyanka Pandit) is a Hindi cinema actress and television personality from Jammu and Kashmir, best known for her roles in Indian television serials. She made her Bollywood film debut as Gazala in Babloo Happy Hai (2014), and gained wider recognition through television roles including Alia Mehra in Kumkum Bhagya (Zee TV) and Svetlana Kapoor in Ishqbaaz. She trained in classical and western dance forms and began her career in 2012 through TV commercials before transitioning to acting. She has also appeared in the supernatural drama Manmohini as the title character Mohini.
Career Milestones
Film debut in Bollywood
View film →Telugu film debut
Breakthrough TV role as Svetlana (negative lead)
Recurring role in long-running soap
Lead role in web series
Reyhna Malhotra by the Numbers
If you watched every Reyhna Malhotra film back-to-back, you'd be at it for roughly 4 hours.
Filmography
See all 30 credits →
Career Analytics
Language Distribution
Films by Decade
Legacy & Influence
Reyhna Malhotra is an actress whose documented contribution to Indian cinema is limited. She is known for her role in the 2014 film 'Babloo Happy Hai'. The film, a comedy-drama exploring themes of modern relationships, featured her alongside actors such as Sahil Anand and Navneet Kaur Dhillon. Given the sparse public record of her filmography and career details, a substantive analysis of her artistic trajectory, influence on cinematic genres, or impact on the industry cannot be reliably constructed. Her work remains associated with a specific niche film from that period, but without further verified projects or public professional activities, her lasting legacy within the broader narrative of Indian cinema is not clearly defined.