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Faiz Mohammad

Faiz Mohammad is an Indian actor, best known for Tamil cinema. Faiz Mohammad began their career in 2014 and has been a prominent figure in the industry for over 12 years. With 30 credits to their name and an average audience rating of 6.4, Faiz Mohammad remains one of the most prolific and celebrated talents in the industry. An emerging voice in Tamil cinema, Faiz Mohammad is already attracting significant attention for their distinctive work.

Born
Age
39
30+Known Credits
6.4Avg Rating
emergingCareer Phase

Biography

Faiz Mohammed Khan is a Hindi cinema actor from Panna, Madhya Pradesh, best known for his stage and screen work rooted in his National School of Drama (NSD) training (2008–2011). He made his film debut in Bhoot and Friends (2010) and gained wider recognition playing Majid in the rural social satire Yeh Hai Bakrapur (2014), directed by Janaki Vishwanathan. His theatre background with IPTA since 1997 informs a naturalistic performance style suited to ensemble and character-driven films. He has since appeared in mainstream productions including Jolly LLB 2 (2017), Pad Man (2018), and Sanjay Leela Bhansali's Gangubai Kathiawadi (2022).

Career Milestones

2010

Film debut as Hakla

2011

Completed postgraduate diploma in acting at National School of Drama

2014

Appeared in social satire

View film →
2017

Supporting role in blockbuster legal comedy-drama

2022

Role as Liyakat in acclaimed period drama

The Numbers

Faiz Mohammad by the Numbers

Total Films0
Back-to-back Watch0 hours~estimate
Hit Ratio0%
Versatility0/10

If you watched every Faiz Mohammad film back-to-back, you'd be at it for roughly 2 hours.

Career Analytics

Language Distribution

Hindi
100%

Films by Decade

1
2010s

Legacy & Influence

Faiz Mohammad is a supporting actor in Indian cinema whose work, though limited in public documentation, contributes to the diverse tapestry of the industry. His known filmography includes a role in the satirical comedy 'Yeh Hai Bakrapur' (2014), a film noted for its critique of religious superstition and political manipulation in rural India. By participating in such projects, Mohammad aligns himself with a strand of cinema that uses humor and regional storytelling to engage with social commentary. The absence of extensive biographical details or a lengthy filmography makes a comprehensive assessment of his career trajectory challenging. However, his involvement in a film recognized for its thematic ambition suggests a professional path oriented towards meaningful, if not mainstream, narrative cinema. His contribution, therefore, lies in the collective effort of character actors who flesh out the worlds of independent and mid-budget films, enabling stories that diverge from commercial formulas to reach audiences. In an industry often spotlighting stars, supporting performers like Faiz Mohammad provide essential authenticity and depth, particularly in films grounded in specific socio-cultural milieus. While his individual impact is not widely chronicled, his recorded participation in 'Yeh Hai Bakrapur' places him within a valuable segment of Indian filmmaking that prioritizes substance and regional voice, contributing to the industry's broader narrative diversity.

Frequently Asked Questions