M
Mrityudata(1997)
Hindi mins
Mrityudata (1997) is a Hindi film directed by Mehul Kumar. With an audience rating of 4.7/10, Mrityudata stands as one of the notable Hindi releases of 1997.
Director:Mehul Kumar
Mood:
darkemotionalsuspenseful
Where to watch:
OTT availability not confirmed yet. Check Netflix · Prime Video · Hotstar · ZEE5
Quick Facts
- Theatrical Release
- 1 January 1997
- Director
- Mehul Kumar
- Language
- Hindi
- GudVibe Rating
- 4.7/10
Storyline
A doctor lives happily with his wife and his brother, an engineer. When his brother is falsely accused of murder and dies, the doctor vows to get revenge for his death.
“A brother's murder demands a doctor's revenge.”
Film Details
4.7Rating
Minutes
HindiLanguage
Release Date1 January 1997
Parental Guide
Violence
Moderate
Language
Moderate
Sex / Nudity
Moderate
Drugs
Mild
Intensity
Moderate
Vibe & Tags
Mood
darkemotionalsuspenseful
Themes
revengefamilyjusticecorruption
Toneintense
Pacingfast-paced
Complexitylight
Audiencemass
Best Withfriends
Violence4
Emotion4
Humor1
Rewatchability2
Reviews & Ratings
Your Rating
4.7/10Rating
Please Register/ Login to rate the movie Mrityudata
Cast & Crew
Photos Gallery
No Photos Found
Videos Gallery
No Videos Found
Trivia
- The film's title 'Mrityudaata' translates to 'The Giver of Death' in English.
- It was a major box office failure and is often cited among the biggest flops of the 1990s.
- The film marked the first and only collaboration between actor Amitabh Bachchan and director Mehul Kumar.
- Amitabh Bachchan's character was originally named Dr. Ram Prasad Ghayal, sharing a surname with his iconic 1990 film 'Ghayal'.
- The soundtrack by Anand-Milind included a song, 'Mere Mehboob Mere Sanam', that reused the tune from their earlier hit 'Dhak Dhak Karne Laga'.
- Despite its failure, the movie was heavily promoted with Amitabh Bachchan appearing in a distinctive long-haired look.
- The film's plot of a wronged brother seeking revenge mirrored themes from Bachchan's earlier successful films but failed to connect with audiences.