Inbanila
Inbanila is an Indian actor, best known for Tamil cinema. Inbanila began their career in 2007. With 30 credits to their name, Inbanila remains one of the most prolific and celebrated talents in the industry. Inbanila is one of the most closely watched talents of their generation, with a rapidly growing body of acclaimed work.
Biography
Inbanila is an Indian film actress who works primarily in the Tamil cinema industry, known for her supporting roles across a range of Tamil productions. She made her screen debut in 2007 with 'Onbadhu Roobai Nottu' and has since appeared in films including 'Poo' (2008), 'Palayankottai' (2012), and 'Eshwaramoorthi' (2012). In 2014, she played the character Lavanya in 'Kalavaram', directed by S. D. Ramesh Selvan and featuring veteran actors Sathyaraj and Tanikella Bharani. She continued working in Tamil cinema with an appearance in Thangar Bachan's 'Kalavaadiya Pozhuthugal' (2017).
Inbanila by the Numbers
If you watched every Inbanila film back-to-back, you'd be at it for roughly 7 hours. Most-paired with Sathyaraj — 2 films together.
Filmography
See all 30 credits →
Collaboration Network
Career Analytics
Language Distribution
Films by Decade
Top Co-Actors
See all →Inbanila has worked most frequently with Sathyaraj (2 films).
Legacy & Influence
Inbanila is a Tamil film actress whose career in Indian cinema, though not extensively documented in mainstream media, is anchored by her notable performance in the 2014 film 'Kalavaram'. Her work in this project, which received a high audience rating, represents her primary known contribution to the industry. As a performer, she is part of a generation of actors who have contributed to the diverse landscape of Tamil cinema in the early 2010s, a period marked by a mix of commercial and content-driven films. Her role in 'Kalavaram' remains the key reference point for her filmography. Without a broader public record of subsequent major roles or industry awards, her specific artistic influence or career trajectory beyond this point cannot be reliably detailed. Her legacy, therefore, is defined by this singular, well-received performance that continues to be recognized by audiences in niche cinematic circles. The absence of a prolific public career limits a comprehensive assessment of her impact on the evolution of Tamil or Indian cinema at large.