Karthik Sabesh has appeared in 7+ films across 1 language, spanning 2006–2015. Average rating: 5.5/10. 1 film available on OTT platforms. Browse the complete list below — filter by language, OTT platform, or sort by rating.
Karthik Sabesh's complete filmography on GudVibe includes 7 credits across all roles and categories.
Karthik Sabesh has taken on multiple roles in Indian cinema. The most common credits are: Petha Perumal (1), Vallavan's Classmate (1), Babloo (1). Their primary profession is Petha Perumal.
Based on GudVibe ratings, Karthik Sabesh's top rated films are Kaadhal Solla Vandhen (6.5), Burma (6.5), Vallavan (6.1).
Karthik Sabesh was most prolific in the 2010s, appearing in 5 films during that decade.
Karthik Sabesh's most recent projects include Mahabalipuram, Burma, Oru Kanniyum Moonu Kalavaanikalum. Check this page for the full updated list.
While Karthik Sabesh is primarily known as a Petha Perumal, they have also been credited as Vallavan's Classmate, Babloo, Karthik, Boomer, Isaac, Actor in their career.
You can filter Karthik Sabesh's filmography by role or sort by year using the controls at the top of this page. Click any movie card to view its full details.
Karthik Sabesh's filmography on GudVibe covers their work in South Indian cinema — primarily Telugu and Tamil films — as well as any Bollywood or dubbed productions they have been part of.
Karthik Sabesh has 7 film credits in their complete filmography on GudVibe, spanning from 2006 to 2015. Use the filters on this page to browse by language, year, or role.
Karthik Sabesh's most recent film is Mahabalipuram (2015). See the full filmography on this page for all upcoming and recent releases.
Karthik Sabesh's films are available on OTT platforms including Zee5. Visit GudVibe for the complete and up-to-date streaming guide — use the OTT filter above to browse by platform.
Karthik Sabesh's filmography includes 7 Tamil films, along with Hindi and other language productions. Use the language filter on this page to browse each category separately.
