Kausha Rach
Kausha Rach is an Indian actor, best known for Tamil cinema. Kausha Rach began their career in 2006 and has been a prominent figure in the industry for over 20 years. With 30 credits to their name and an average audience rating of 6.2, Kausha Rach remains one of the most prolific and celebrated talents in the industry. Kausha Rach is one of the most closely watched talents of their generation, with a rapidly growing body of acclaimed work.
- Born
- Age
- 39
Biography
Kausha Rach is an Indian actress who works primarily in Telugu cinema, known for item numbers and supporting roles across Telugu and Tamil productions. She appeared in films such as Raraju (2006), Mantra (2007), Athili Sattibabu LKG (2007), Nenu Meeku Telusa...? (2008), and had a special appearance in the Tamil film Ninaithale Inikkum (2009) in the song 'Sexy Lady'. She has also appeared in Telugu films like Mahankali (2013) and Ner Ethir (2014), accumulating a filmography of over 50 films. One of her notable roles was playing Yashodhara, wife of Siddhartha Gautama, in the film Gautama Buddha.
Career Milestones
Acting debut in Telugu cinema
Played the role of Mad Woman in psychological thriller
View film →Portrayed Yashodhara (wife of Gautama Buddha) in historical film
Tamil film debut
View film →Defining Moments
Dance performance in item number showcasing her signature style that established her reputation in Telugu film circuits
Early career appearance that helped build her recognition as a performer in Telugu cinema dance sequences
View film →Role as Yashodhara in the historical drama, portraying Siddhartha Gautama's wife with a blend of grace and dramatic depth
Considered her most notable dramatic departure from item numbers, demonstrating acting range beyond dance-oriented appearances
Special appearance in the song 'Sexy Lady', one of her cross-industry Tamil film appearances
Demonstrated her reach across Telugu and Tamil film industries as a dance performer
View film →Kausha Rach by the Numbers
If you watched every Kausha Rach film back-to-back, you'd be at it for roughly 16 hours. Most-paired with Vidhya — 2 films together.
Filmography
See all 30 credits →Collaboration Network
The Constellation
Top 5 most-paired collaborators. Bubble size and line thickness reflect how many films they share with Kausha Rach.
Career Analytics
Language Distribution
Films by Decade
Top Co-Actors
See all →Kausha Rach has worked most frequently with Vidhya (2 films), Jeeva (2 films), Vidisha (2 films), Brahmanandam (2 films), and Sunil Varma (2 films).


Did You Know?
Kausha Rach is an Indian film actress known for her work in Telugu cinema.
She made her acting debut in Telugu films with 'Premaya Namaha'.
She is known for performing item numbers in several Telugu films.
She was born on August 15, 1986.
She appeared in the 2006 Telugu film 'Raraju'.
Legacy & Influence
Kausha Rach entered the Telugu film industry with the 2009 film 'Premaya Namaha', marking the beginning of a career primarily defined by supporting roles and notable item song appearances. While not achieving mainstream lead actress status, her presence in the early and mid-2000s contributed to the commercial texture of Telugu cinema during that period. Her career trajectory is emblematic of many performers who find a niche in specific, high-impact song sequences, which are a significant and traditional component of Indian commercial films. Films like 'Raraju' (2006) and 'Mahankali' (2013) featured her in acting roles, but she is perhaps more widely recognized for her dance performances in various musical numbers. This specialization in item songs represents a distinct career path within the industry, requiring a specific skill set in dance and screen presence to create memorable musical interludes. Her work in this area added to the visual and entertainment catalogue of the films she was part of. However, her filmography remains selective, and she has not maintained a continuous, high-profile public presence in cinema over the past decade. Consequently, her overall impact is viewed as modest and specific to a particular era and genre format. She is remembered as one of several actresses who participated in the vibrant song-and-dance culture of South Indian films, contributing to its entertainment value without fundamentally altering its course or achieving transformative stardom. Her legacy is thus situated within the broader context of supporting performers who fulfill specific, culturally entrenched roles in the cinematic production system.


