Mithun Chakraborty & Master Bhagwan Movies Together — 4 Films

Mithun Chakraborty and Master Bhagwan have worked together on 4 films, with their collaboration spanning from 1982 to 1991 — a creative partnership lasting over 9 years. Their most productive decade was the 1980s, which accounted for 2 of their joint projects, cementing that era as the peak of their creative output.

Their first collaboration was "Ustadi Ustad Se" in 1982. The film featured Mithun Chakraborty as Rajesh "Raju" and Master Bhagwan as Actor. That debut set the foundation for a partnership that would grow to 4 films over the following years.

Their highest-rated collaboration is "Ustadi Ustad Se" (1982), which holds a rating of 6.8/10. Other critically acclaimed entries include "Hum Se Na Takrana" (4.1/10) and "Deewana Tere Naam Ka". Overall, their joint filmography averages 4.7/10 — an average that points to an uneven run — their best work stands out, but not every collaboration landed with audiences.

In their collaborations, Mithun Chakraborty most frequently as Actor, and Master Bhagwan most frequently as Actor. This pairing of Actor and Actor created a recognisable dynamic, though several of their collaborations underperformed with audiences.

The majority of Mithun Chakraborty & Master Bhagwan's joint work is in Hindi cinema. Their sustained focus within Hindi film has allowed them to develop a distinctive shared aesthetic recognisable to fans of the industry.

Their most recent collaboration is "Numbri Aadmi" (1991). As of 1991, their partnership continues to be relevant, with the film adding to a legacy built over 4 projects.

The Mithun Chakraborty and Master Bhagwan partnership stands out in Hindi cinema for its longevity and volume — 4 films across 9 years is an exceptionally sustained creative relationship in any industry. Their collaborative average of 4.7/10 points to an uneven run; this partnership is notable for its longevity rather than uniform commercial success. Their best-rated title, "Ustadi Ustad Se" (6.8/10), represents the high point of their joint output.

The highest-rated collaboration between Mithun Chakraborty and Master Bhagwan is "Ustadi Ustad Se" (1982), rated 6.8/10. Other top-rated films together include "Hum Se Na Takrana" and "Deewana Tere Naam Ka".

Mithun Chakraborty and Master Bhagwan have collaborated across 9 years, from 1982 to 1991. Over this period they worked on 4 films, making theirs one of the longer-running creative partnerships in Indian cinema.

The Mithun Chakraborty & Master Bhagwan collaboration is a **selective partnership** in the Indian film industry.

Mithun Chakraborty and Master Bhagwan typically collaborate at intervals of approximately 3 years between projects. Their collaborations have ranged from 1-year to 5-year gaps, reflecting both deliberate project selection and occasional longer breaks between working together.

Their most prolific period was the 1980s, when they delivered 2 films together. This was a peak creative period that helped define both their legacies. While they continued collaborating beyond this era (2 additional films), the 1980s remains their most concentrated and impactful output.

The chemistry between Mithun Chakraborty and Master Bhagwan stems from complementary creative strengths: their roles as Actor and Actor create narrative balance.Their sustained collaboration across multiple films indicates genuine artistic synergy and mutual respect in their creative decision-making.

If you enjoy Mithun Chakraborty & Master Bhagwan's films, explore other notable collaborations in Indian cinema with similar thematic focus or era. Browse our curated collections of similar creative pairings and multi-generational collaborations on the 'Similar Collaborations' section of this page.

As of 2026, their most recent collaboration was "Numbri Aadmi" in 1991. With 35 years since their last joint project, fans have been hoping for a new collaboration. No official announcements have been made, but their proven creative chemistry makes a future collaboration a possibility worth watching.