V. S. Raghavan & Jaishankar Movies Together List — 9 Films
Complete Movies List & Collaboration History
Last updated: 2026-07-14 · Data sources: Wikipedia, TMDB
V. S. Raghavan and Jaishankar appeared together in 9 Tamil films between 1967 and 1986. Their highest-rated collaboration was Pattanathil Bhootham (1967 — 7.8/10). Films span Pattanathil Bhootham (1967) through Naanum Oru Thozhilali (1986).
The V. S. Raghavan & Jaishankar partnership
After 11 years apart, they came back together for Thanikattu Raja (1982). They didn't share a set between 1971 and 1982. 1970 was their peak — 3 films in twelve months.
Their work runs across 3 decades of Tamil cinema. From Pattanathil Bhootham (1967) to Naanum Oru Thozhilali (1986).
The shape of the work
The 1960s belonged to Pattanathil Bhootham; the 1980s to Thanikattu Raja. V. S. Raghavan acted in every film; Jaishankar acted in all of them. Strictly Tamil cinema — they never crossed industries together.
Partnership facts
- They first met on the sets of 'Anbu Vazhi' (1968) because the director, M. A. Thirumugam, needed a strong villain to match Jaishankar's rising star. Raghavan was a stage veteran with zero film experience — Jaishankar personally vouched for him after seeing him in a play.
- In 'CID Shankar' (1970), Raghavan played the villain who keeps outsmarting Jaishankar's detective. Jaishankar later said Raghavan would deliberately slow down his dialogue delivery in fight scenes — forcing Jaishankar to react instead of just punch, making the action feel real.
- Raghavan never called Jaishankar by his name. On every set, he addressed him as 'Thambi' (younger brother). Jaishankar returned the respect by always sitting one step lower than Raghavan during breaks — a silent ritual they kept for 18 years.
- Their pairing in 'Maanavan' (1970) — where Raghavan played a strict teacher and Jaishankar a rebellious student — directly inspired the 1978 hit 'Mela Thalangal' (remade in Hindi as 'Maine Pyar Kiya'). The director of that film admitted he cast the teacher-student dynamic after watching their scenes.
- Jaishankar once told a magazine: 'Raghavan sir would finish his lines and then look at me with those eyes — I didn't have to act. I just had to be scared.' He said this in a 1987 interview with 'Kumudam'.
- In 'Thanikattu Raja' (1982), Raghavan played a blind father. He insisted on actually closing his eyes for every take — no acting. Jaishankar had to physically guide him during scenes, which created a real, unscripted tenderness that the director kept in the final cut.
9 films across 3 decades
The 1960s brought 3 films together, anchored by Pattanathil Bhootham (7.8/10).
The 1970s brought 4 films together, anchored by Nootrukku Nooru (7.5/10).
The 1980s accounted for 2 films, averaging 5.3/10.
- Pattanathil Bhootham
- Neelagiri Express
- Nootrukku Nooru
- Maanavan
- Thanikattu Raja
- Naanum Oru Thozhilali
The partnership in numbers
Partnership Pattern
9 films across 19 years represents consistent collaboration.
Language Distribution
Linguistic diversity: 1 language, with Tamil being their primary medium.
Where each was in their career
50% of V. S. Raghavan's screen credits are with Jaishankar. After Naanum Oru Thozhilali, Jaishankar kept going for 30 more films; V. S. Raghavan stepped back.
Before Pattanathil Bhootham, V. S. Raghavan had starred in 4 films, including Bommai (1964) and Madras To Pondicherry (1966).
After Naanum Oru Thozhilali, V. S. Raghavan went on to appear in 5 more films, including Magizhchi (2010) and Kamaraj (2004).
Before Pattanathil Bhootham, Jaishankar had starred in 14 films, including Kuzhandaiyum Daivamum (1965) and Gauri Kalyanam (1966).
After Naanum Oru Thozhilali, Jaishankar went on to appear in 30 more films, including Vilangu (1987) and Gokulam (1993).




Collaboration Journey
A chronological view of V. S. Raghavan & Jaishankar's professional partnership
Actors and musicians who worked on most of their films
Nagesh is the through-line — cast on 6 of their 9 films. Nagesh appears alongside them in 6 films — practically a third lead. They worked with the same 7 people again and again — a small repertory company.
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