M. S. Viswanathan & Sreekanth Movies Together — 14 Films

M. S. Viswanathan and Sreekanth have worked together on 14 films, with their collaboration spanning from 1973 to 1978 — a creative partnership lasting over 5 years. Their most productive decade was the 1970s, which accounted for 14 of their joint projects, cementing that era as the peak of their creative output.

Their first collaboration was "Engal Thai" in 1973. The film featured M. S. Viswanathan as Music Composer and Sreekanth as Actor. That debut set the foundation for a partnership that would grow to 14 films over the following years.

Their highest-rated collaboration is "Sila Nerangalil Sila Manithargal" (1976), which holds a rating of 8.5/10. Other critically acclaimed entries include "Ilaya Thalaimurai" (7.1/10) and "Sadhurangam". Overall, their joint filmography averages 1.6/10 — an average that points to an uneven run — their best work stands out, but not every collaboration landed with audiences.

In their collaborations, M. S. Viswanathan most frequently as Music Composer, and Sreekanth most frequently as Actor. This pairing of Music Composer and Actor created a recognisable dynamic, though several of their collaborations underperformed with audiences.

The majority of M. S. Viswanathan & Sreekanth's joint work is in Tamil cinema. Their sustained focus within Tamil film has allowed them to develop a distinctive shared aesthetic recognisable to fans of the industry.

Their most recent collaboration is "Oru Veedu Oru Ulagam" (1978). As of 1978, their partnership continues to be relevant, with the film adding to a legacy built over 14 projects.

The M. S. Viswanathan and Sreekanth partnership stands out in Tamil cinema for its longevity and volume — 14 films is an exceptionally sustained creative relationship in any industry. Their collaborative average of 1.6/10 points to an uneven run; this partnership is notable for its longevity rather than uniform commercial success. Titles like "Sila Nerangalil Sila Manithargal" (8.5/10) remain benchmarks of their era.

The highest-rated collaboration between M. S. Viswanathan and Sreekanth is "Sila Nerangalil Sila Manithargal" (1976), rated 8.5/10. Other top-rated films together include "Ilaya Thalaimurai" and "Sadhurangam".

M. S. Viswanathan and Sreekanth have collaborated across 5 years, from 1973 to 1978. Over this period they worked on 14 films, making theirs one of the longer-running creative partnerships in Indian cinema.

The M. S. Viswanathan & Sreekanth collaboration is a **selective partnership** in the Indian film industry. With 14 films together, M. S. Viswanathan and Sreekanth demonstrate a sustained commitment to collaborating, which is relatively uncommon compared to one-off project pairings.

M. S. Viswanathan and Sreekanth typically collaborate at intervals of approximately 0 years between projects. Their collaborations have ranged from 0-year to 1-year gaps, reflecting both deliberate project selection and occasional longer breaks between working together.

Their most prolific period was the 1970s, when they delivered 14 films together. This was a peak creative period that helped define both their legacies.

The chemistry between M. S. Viswanathan and Sreekanth stems from complementary creative strengths: their roles as Music Composer and Actor create narrative balance.Their sustained collaboration across multiple films indicates genuine artistic synergy and mutual respect in their creative decision-making.

If you enjoy M. S. Viswanathan & Sreekanth's films, explore other notable collaborations in Indian cinema with similar thematic focus or era. Browse our curated collections of similar creative pairings and multi-generational collaborations on the 'Similar Collaborations' section of this page.

As of 2026, their most recent collaboration was "Oru Veedu Oru Ulagam" in 1978. With 48 years since their last joint project, fans have been hoping for a new collaboration. No official announcements have been made, but their proven creative chemistry makes a future collaboration a possibility worth watching.