Sivaji Ganesan & Jayalalitha Movies Together List — 21 Films
Complete Movies List & Collaboration History
Last updated: 2026-06-04 · Data sources: Wikipedia, TMDB
Sivaji Ganesan and Jayalalitha appeared together in 21 Tamil films between 1966 and 1980. Their highest-rated collaboration was Deiva Magan (1969 — 8.3/10). Films span Motor Sundaram Pillai (1966) through Dharmaraja (1980).
The Sivaji Ganesan & Jayalalitha partnership
Their work runs across 3 decades of Tamil cinema. 1972 was their peak — 4 films in twelve months. For 14 years, a Sivaji–Jayalalitha film arrived almost every year.
Remarkably even — every film rates between 6.5 and 8.3. From Motor Sundaram Pillai (1966) to Dharmaraja (1980).
The shape of the work
The 1970s account for 67% of everything they made together. The 1960s belonged to Deiva Magan; the 1980s to Dharmaraja. Sivaji Ganesan acted in every film; Jayalalitha acted in all of them. Strictly Tamil cinema — they never crossed industries together.
Partnership facts
- Their first film together, Motor Sundaram Pillai (1966), almost didn't happen. Jayalalitha was just 18 and Sivaji Ganesan was the reigning star. Director A. P. Nagarajan had to convince a hesitant Sivaji that this newcomer could hold her own opposite him.
- Sivaji was known for his thunderous dialogue delivery. Jayalalitha matched him beat for beat. In Deiva Magan (1969), their courtroom scene became legendary because she didn't just react — she sparred with him, making the argument feel like a real fight between equals.
- Their 1972 hit Pattikada Pattanama directly inspired the 1975 Hindi blockbuster Jai Santoshi Maa. The Tamil original's devotional plot and family drama template was so successful that Bollywood producers bought the remake rights and turned it into a pan-India phenomenon.
- Off-screen, they had a mentor-mentee bond. Jayalalitha later said Sivaji taught her how to modulate her voice for the camera. She called him 'Anna' (elder brother) on set, and he personally ensured she got equal billing in their films — rare for a female lead in the 1960s.
- Jayalalitha once said in a 1970s interview: 'Sivaji sir never made me feel like a junior artist. He would rehearse with me before every shot, even if it meant delaying the shoot. That's why our scenes together look effortless.'
- In Galatta Kalyanam (1968), Sivaji played a double role — a father and son. Jayalalitha played the son's love interest. The trick that made it work: Sivaji would physically stand in a different spot for each character during their shared scenes, so her eyeline shifted naturally, making the audience believe she was talking to two different men.
21 films across 3 decades
The 1960s brought 6 films together, anchored by Deiva Magan (8.3/10).
The 1970s brought 14 films together, anchored by Pattikada Pattanama (7.6/10).
The 1980s accounted for 1 film.
- Deiva Magan
- Motor Sundaram Pillai
- Pattikada Pattanama
- Raja
- Dharmaraja0
The partnership in numbers
Partnership Pattern
21 films across 14 years represents consistent collaboration.
Language Distribution
Linguistic diversity: 1 language, with Tamil being their primary medium.
Where each was in their career
78% of Jayalalitha's screen credits are with Sivaji Ganesan. When they first worked together, Sivaji Ganesan had 48 films behind them; Jayalalitha had 4. After Dharmaraja, Sivaji Ganesan kept going for 73 more films; Jayalalitha stepped back.
Before Motor Sundaram Pillai, Sivaji Ganesan had starred in 48 films, including Thiruvilaiyadal (1965) and Karnan (1964).
After Dharmaraja, Sivaji Ganesan went on to appear in 73 more films, including Nenjangal (1982) and Theerpu (1982).
Before Motor Sundaram Pillai, Jayalalitha had starred in 4 films, including Ayirathil Oruvan (1965) and Vennira Aadai (1965).
After Dharmaraja, Jayalalitha went on to appear in 2 more films, including Xtra (2004) and Veeri Veeri Gummadi Pandu (2005).


Collaboration Journey
A chronological view of Sivaji Ganesan & Jayalalitha's professional partnership
Actors and musicians who worked on most of their films
M. S. Viswanathan is the through-line — music on 18 of their 21 films. M. S. Viswanathan scored 18 of them. They worked with the same 11 people again and again — a small repertory company.
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