Viswanathan Ramamoorthy & Prameela Devika Movies Together List — 11 Films
Complete Movies List & Collaboration History
Last updated: 2026-07-13 · Data sources: Wikipedia, TMDB
Viswanathan Ramamoorthy and Prameela Devika appeared together in 11 Tamil films between 1961 and 1965. Their highest-rated collaboration was Nenjil Or Aalayam (1962 — 8.5/10). Films span Pava Mannippu (1961) through Shanthi (1965).
The Viswanathan Ramamoorthy & Prameela Devika partnership
Between 1961 and 1965, they barely worked apart — 11 films in 4 years. 1962 was their peak — 5 films in twelve months. For 4 years, a Viswanathan–Prameela film arrived almost every year.
Remarkably even — every film rates between 7.5 and 8.5. From Pava Mannippu (1961) to Shanthi (1965).
The shape of the work
Viswanathan Ramamoorthy scored every film; Prameela Devika acted in all of them. Strictly Tamil cinema — they never crossed industries together.
11 films across 1 decade
- Nenjil Or Aalayam
- Bandha Pasam
The partnership in numbers
Partnership Pattern
11 films across 4 years represents focused partnership.
Language Distribution
Linguistic diversity: 1 language, with Tamil being their primary medium.
Where each was in their career
61% of Viswanathan Ramamoorthy's screen credits are with Prameela Devika.
Before Pava Mannippu, Viswanathan Ramamoorthy had starred in 5 films, including Aalukkoru Veedu (1960) and Kavalai Illaadha Manithan (1960).
After Shanthi, Viswanathan Ramamoorthy went on to appear in 2 more films, including Thalavanin Arulullam (1994) and Engirundho Vandhaan (1995).
Before Pava Mannippu, Prameela Devika had starred in 1 film, including Irumanam Kalanthal Thirumanam (1960).
After Shanthi, Prameela Devika went on to appear in 3 more films, including Marakka Mudiyuma (1966) and Penne Nee Vazhga (1967).


Collaboration Journey
A chronological view of Viswanathan Ramamoorthy & Prameela Devika's professional partnership
Actors and musicians who worked on most of their films
Devika appears alongside them in 5 films — practically a third lead. They worked with the same 10 people again and again — a small repertory company.
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