V. S. Raghavan & Manorama Movies Together List — 10 Films
Complete Movies List & Collaboration History
Last updated: 2026-06-02 · Data sources: Wikipedia, TMDB
V. S. Raghavan and Manorama appeared together in 10 Tamil films between 1966 and 1985. Their highest-rated collaboration was En Kelvikku Enna Bathil (1978 — 7.5/10). Films span Madras To Pondicherry (1966) through Nalla Thambi (1985).
The V. S. Raghavan & Manorama partnership
Their work runs across 3 decades of Tamil cinema. From Madras To Pondicherry (1966) to Nalla Thambi (1985). En Kelvikku Enna Bathil is the one most viewers reach for.
The spanned closed with Nalla Thambi in 1985. It started with Madras To Pondicherry (1966).
The shape of the work
The 1970s account for 60% of everything they made together. The 1960s belonged to Madras To Pondicherry; the 1980s to Nalla Thambi. V. S. Raghavan acted in every film; Manorama acted in all of them. Strictly Tamil cinema — they never crossed industries together.
Partnership facts
- Manorama was the one who pushed for V. S. Raghavan to play her father in En Magan (1973). The director wanted a younger actor, but she insisted Raghavan had the right 'sadha' (simple) look for the role. That film became their first pairing.
- In Shankar Salim Simon (1978), Raghavan and Manorama played a married couple for the only time. He played the nervous husband; she played the loud, controlling wife. Raghavan later said he deliberately underplayed every scene because Manorama's energy was so big — he knew if he matched her volume, the comedy would collapse.
- On the sets of Gumasthavin Magal (1974), Manorama would bring homemade snacks for Raghavan every single day. He was a strict vegetarian; she made sure the catering had a separate box for him. They never talked about it — she just left it near his chair.
- Raghavan once told a magazine: 'Manorama could make you laugh with just her eyebrow. I had to work twice as hard to keep up. But she never made me feel like I was lagging — she'd slow down her dialogue just a little so my reaction would land.'
- Their film Naan Potta Savaal (1980) directly inspired the father-daughter dynamic in the 1990 hit 'Pudhu Vasantham'. The director of that film admitted in an interview that he rewatched Naan Potta Savaal five times to study how Raghavan and Manorama balanced sentiment with comedy.
- In En Kelvikku Enna Bathil (1978), Raghavan played a blind father and Manorama his caretaker. She had to physically guide him through every scene. Raghavan insisted on actually closing his eyes during takes — no squinting, no peeking. Manorama later said that was the scariest shoot of her life because she was terrified he'd trip and she'd be the one who let him fall.
10 films across 3 decades
The 1960s accounted for 1 film.
The 1970s brought 6 films together, anchored by En Kelvikku Enna Bathil (7.5/10).
The 1980s accounted for 3 films, averaging 1.0/10.
- Madras To Pondicherry0
- En Kelvikku Enna Bathil
- En Magan
- Nalla Thambi
- Yamanukku Yaman0
The partnership in numbers
Partnership Pattern
10 films across 19 years represents consistent collaboration.
Language Distribution
Linguistic diversity: 1 language, with Tamil being their primary medium.
Where each was in their career
53% of V. S. Raghavan's screen credits are with Manorama. After Nalla Thambi, Manorama kept going for 127 more films; V. S. Raghavan stepped back.
Before Madras To Pondicherry, V. S. Raghavan had starred in 2 films, including Bommai (1964) and Avana Ivan (1962).
After Nalla Thambi, V. S. Raghavan went on to appear in 7 more films, including Magizhchi (2010) and Kamaraj (2004).
Before Madras To Pondicherry, Manorama had starred in 18 films, including Server Sundaram (1964) and Kalathur Kannamma (1960).
After Nalla Thambi, Manorama went on to appear in 127 more films, including Indian (1996) and Nadigan (1990).



Collaboration Journey
A chronological view of V. S. Raghavan & Manorama's professional partnership
Actors and musicians who worked on most of their films
Major Sundarrajan appears alongside them in 4 films — practically a third lead. M. S. Viswanathan scored 3 of them. They worked with the same 7 people again and again — a small repertory company.
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